Appropriating classical music in popular music

- Chapus, Eric

Paul McCartney and His Creative Practice: The Beatles and Beyond

- McIntyre, Phillip, Thompson, Paul

Dynamic music: the implications of interactive technologies on popular music making

- Redhead, Tracy

Sound engineering in the recording studio as creative practice

- Thompson, Paul, McIntyre, Phillip

Parallel, series and integrated - modes of tertiary popular music education

- Carfoot, Gavin, Millard, Brad, Bennett, Samantha, Allan, Christopher

Songwriting as a creative system in action

- McIntyre, Phillip

Concert attendee behaviour: the influence of motivations, fan identification and product involvement

- Kulczynski, Alicia

Nick Cave and death

- Boer, Roland

Fabricating space: postmodern popular music performance venues on cruise ships

- Cashman, David

Exploring motivations for popular music concert attendance

- Perkins, Alicia

How devoted are you?: an examination of online music fan behaviour

- Perkins, Alicia

Some routine atrocity, or, letting the curse of god roar: Nick Cave and apocalyptic.

- Boer, Roland

Communication and the creation of media content: a practitioner-based enquiry study of popular music songwriting

- McIntyre, Phillip

Identification in popular music: a netnographic exploration of online fan communities

- Perkins, Alicia

Rethinking the idea of the mainstream/alternative dichotomy in contemporary western popular music in the light of recent research into creativity

- McIntyre, Phillip

Creativity and cultural production: an interdisciplinary approach to understanding creativity through an ethnographic study of songwriting

- McIntyre, Phillip

Composing music: popular music since 1950

- McIntyre, Phillip

Popular music

- Homan, Shane

Women in popular music and the construction of "authenticity"

- Mayhew, Emma